The heart and soul of these performances lies with the artists themselves but their introduction to the outside world is brought to you by...

Located on Music Row, Lake Fever Productions is an artist catered studio that houses and records the audio for each session. They'd love to record your album too.
Tugboat Productions is a video production company run by ne'er-do-well musicians. Tugboat shoots and edits each Lake Fever Session, as well as other fine projects all over the Southeast.

2024 Archive Update

The Lake Fever Sessions were active from January 2009 to May 2010; just 17 months. Shorter than the lifespan of most bands, in fact! The pace of new sessions slowed over time, the blog stopped posting updates and it faded from view. A blip of an update came in Oct 2010 with one final session from Destry but that was it. By 2013, the domain expired and went through a series of domain squatters holding on to the URL simply because it had existed at one time. Currently, in 2024, the original lakefeversessions.com domain seems to be a French escort service; I don't recommend visiting.

That paints a grim picture but the truth is that Lake Fever Sessions were always a passion project. Joe Baine Colvert, John Baldwin and Jason Bullock ran the Lake Fever Productions recording studio and leveraged the sessions to raise their profile as a destination that was not your run-of-the-mill Music Row recording studio. It worked. Andy Snyder and Josh Lagerson from Tugboat Productions had similar goals of using the sessions as a calling card to showcase the kind of work they could capture; energetic and lively performances, even in a confined space. You only have to watch one session for all the evidence you need to see that they accomplished exactly that.

However, the primary drive was simply to capture something worthwhile that was happening at the time. Nashville is always at odds between its residents and how its perceived. So much so that it's become a cliche. "Nashville is so much more than country music" is a phrase that's uttered with great frequency in response to the explosion of downtown honky tonks, drunken transpotainment, redneck warriors and bad politicians. Of course, it is also all of those terrible things but it is more than that. The cliche is true.

Over the course of twenty-five sessions, Lake Fever Sessions captured a snapshop of the local scene, some regional favorites and a handful of impressive national touring acts. It's not holistic by any means but it's impressive. How they managed to get St. Vincent, Travis or Cursive is a mystery but clearly a testament to the quality of the recordings and the persistence of those involved. I have my favorites but there isn't a bad one in the bunch.

Bringing the website back from the Internet grave wasn't a necessary undertaking. All of the recordings still live on Vimeo and many are on YouTube as well. They have been for years. But neither of those destinations present the whole package. Many of the bands would supply writeups for each song, photographers would capture moments that weren't in the videos and each session came with a dose of Joe Baine Colvert insights. In short, you could still see the sessions but they deserved better.

So, I present to you the Lake Fever Sessions Archive. A new domain but the same great content. The original site was powered by a database that hasn't been accessible for at least eleven years and no one had a backup. Fortunately, the Internet archive had plenty of insights to draw from and a deeply nested Dropbox folder had all my original files. Some of this new site has been updated to work a bit better with modern technology but I did my best to preserve everything as closely as I could.

There are plenty of other Nashvilled-based performance sessions out there - Live at Josh’s House, Monkey Riot Q Sessions, Found Sounds, On Tape, House Show and taped come to mind as additional worthwhile destinations - but the concept of Lake Fever Sessions isn't what made it special, it's the content. This era of Nashville is becoming the old guard looking back fondly on these times. But it's not purely nostalgia that makes these recordings enjoyable, they are legitimately great performances even if you're just discovering them for the first time.

I hope you enjoy them now as much as we did then.

-Michael Eades